
The Roster · Belgravia · SW1X
Patricia among the shelves on Curzon Street
Auburn hair, a painter's patience and a black-and-white film for every mood.
Available todayUnhurried evenings, booked a day or two out
- Age
- 28
- Height
- 172 cm · 5 ft 8 in
- Hair
- long auburn brown
- Eyes
- brown
- Figure
- slim
- Languages
- English
- Home district
- Belgravia · SW1X, SW1W
The full set
Four photographs, all of Patricia herself: glamour and lifestyle shots, some with the face softened, none with nudity. Tap any frame for the larger print. How we photograph.
Patricia, in brief
Patricia paints in watercolour, and the medium suits her: it rewards patience, a light hand and a readiness to let lovely accidents happen. Slim and 172 cm tall, she keeps her auburn brown hair long, and her eyes are a particularly warm shade of brown. She dresses softly and romantically, floral prints and loose linen in summer, a velvet coat once the evenings turn cold. She tends to stand a little apart at first, watching the light.
Gentle, romantic and attentive, she makes a guest feel genuinely heard, and she will remember the name of your favourite actor long after you have forgotten mentioning it. Late twenties. Her English is quiet and thoughtful. Watercolour is a daily practice. Film noir is her guilty pleasure: shadows through venetian blinds, rain-slicked streets, a woman who knows more than she says. Bookshops are her sanctuary; she cannot pass one without going in, and seldom leaves with fewer than two books, one of them for somebody else.
Her favourite doorway in Mayfair is Heywood Hill on Curzon Street, a small and beautifully kept bookshop whose staff know their stock intimately and whose shelves reward browsing. She will choose a book for you there after a few minutes' conversation, and she is almost always right. Dinner follows nearby, somewhere candlelit, where she can talk about the story she has just recommended and the film it reminds her of, usually one with Robert Mitchum in a raincoat.
Patricia lives in Belgravia and prefers calm evenings with a little notice, a day or two. Mayfair is where most of her evenings begin; write to Cressida through booking.
The hours, priced
The Society's figures apply to Patricia as to everyone on the roster: stated in pounds, given to her yourself at the door, and with her journey inside Zones 1 and 2 already folded in.
| Hour | Length | Fee | Suits | Enquire |
|---|---|---|---|---|
| 19:00 | One hourThe introduction | £600 | Long enough for a glass at the bar and a proper conversation, and a gentle way to begin. | Enquire |
| 23:00 | Ninety minutesThe nightcap | £900 | The hour with room left over for a second glass and an unhurried goodbye. | Enquire |
| 21:00 | Two hoursThe long drink | £1,100 | An evening in, or an opening two streets away, without anyone glancing at a watch. | Enquire |
| 22:00 | Three hoursThe second act | £1,500 | Supper somewhere small, then the remainder of the evening at a pace you set together. | Enquire |
| 20:00 | Four hoursThe table for two | £1,800 | Shaped around a single good table, from the first course to the last car home. | Enquire |
| 00:00 | Ten hoursUntil morning | £3,000 | From the first glass of the evening to breakfast in the suite. Ask a day ahead where you can. | Enquire |
| Fri | Two nights or moreThe weekend away | from £6,000 | In London or further afield, with one figure for the whole stay once the dates are fixed. | Enquire |
Past Zone 2, airports and changes of plan: Rates
Patricia, after dark
An evening with Patricia is a gentle and romantic affair. She meets you at dusk outside a bookshop, and before you have said hello she has found a novel she thinks you will love. Dinner is somewhere intimate, with candles and good bread, and the talk drifts from watercolour to Bogart to the particular blue of the sky above the square just after sunset. Her attentiveness feels old-fashioned and sincere: she recalls at the last glass a remark you made at the first, and asks the next question at exactly the right moment. If the evening allows, a late screening of a classic, or a nightcap somewhere dim and quiet. She leaves you calmer than she found you, and with a book to read.
Patricia answers
Double Indemnity. Every line is sharp, Fred MacMurray has never been better, and Barbara Stanwyck's sunglasses deserve their own billing.
Skies. London gives me a new one every hour and never sends a bill. The grey ones are hardest, and the most rewarding.
Which book they have read twice. It tells me more than whatever they read last week, and far more than their shelves.
Remarks in the book
The page is still blankNo remarks have been entered for Patricia yet. When a guest writes something worth keeping, and she agrees, it appears here beneath the guest's first name, with the month set beside it. Nothing on this page is ever composed by the Society.
Entered only after Cressida has read them · signed with a first name and the month only · withdrawn whenever Patricia asks
A line for Patricia
Patricia is already named. Fill in the brackets, send it, and Cressida answers every line in a single reply.
Good evening Cressida. May I book Patricia for [length] on [date], from [time]? I shall be at [hotel name], and will pass on the room number once you confirm.
Also based in Belgravia

Violetta

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Rosa

Roxi
From After Dark Notes
- 6 min readAround the old embassy square: Grosvenor Square's hotels, weighed after darkThe square once called Little America now deals in hotels. The Biltmore, The Beaumont, The Twenty Two and their neighbours, judged by lobby, bar and lift for an evening in W1K.
- 6 min readSide doors, quiet lifts and unlisted floors: the hidden plan of a grand London hotelGrand hotels are built with more than one door, lifts that answer to a key and floors the buttons leave out. What each one is for, and why the Society still prefers the front door.
Send word about Patricia
Mention Patricia by name and the evening you have in mind. If she is spoken for, Cressida will say so plainly and suggest someone close in spirit.


