The Roster · Soho · W1D
Tiffany in the Dandy Bar, noticing everything
Chocolate brown hair, a camera's eye and a glass of something sparkling.
Available todayMidweek evenings are easiest
- Age
- 24
- Height
- 169 cm · 5 ft 7 in
- Hair
- long chocolate brown
- Eyes
- brown
- Figure
- petite
- Languages
- English
- Home district
- Soho · W1D, W1F
The full set
Four photographs, all of Tiffany herself: glamour and lifestyle shots, some with the face softened, none with nudity. Tap any frame for the larger print. How we photograph.
Tiffany, in brief
Detail is Tiffany's element: the stitching on a cuff, the angle of a lamp, the second a stranger's expression changes. Petite of frame at 169 cm, with chocolate brown hair grown long, she has brown eyes that miss nothing at all. She dresses in beachside boho with a little sparkle: a sequinned top beneath a soft blazer, gold cuffs, hair loosely braided with a ribbon through it.
Graceful and playful, she pairs an easy charm with a sharp eye, and the combination makes for excellent company. Mid twenties; her English has a light, amused tone. Street photography is her art, shot on film with a camera that lives in her bag. Champagne is her pleasure, and the gap between a good vintage and a great one is something she can describe without a trace of snobbery. Her notebook is full of hotel lamps she has sketched. Design hotels are the obsession, and she keeps a mental list of lobbies worth crossing the city to sit in.
In Mayfair her favourite hotel is the Mayfair Townhouse on Half Moon Street, a row of Georgian houses reimagined with wit, where the Dandy Bar is dark and velvety and every detail rewards a closer look. She loves its playfulness. She will point out the small jokes hidden in the decor, then order champagne and settle in for the evening. The staff there have learned to leave the lamp by her chair exactly where it is.
Tiffany lives in Soho, and her week opens up most in the middle. Half Moon Street is two minutes from Piccadilly; Cressida can arrange everything through booking.
The hours, priced
The Society's figures apply to Tiffany as to everyone on the roster: stated in pounds, given to her yourself at the door, and with her journey inside Zones 1 and 2 already folded in.
| Hour | Length | Fee | Suits | Enquire |
|---|---|---|---|---|
| 19:00 | One hourThe introduction | £600 | Long enough for a glass at the bar and a proper conversation, and a gentle way to begin. | Enquire |
| 23:00 | Ninety minutesThe nightcap | £900 | The hour with room left over for a second glass and an unhurried goodbye. | Enquire |
| 21:00 | Two hoursThe long drink | £1,100 | An evening in, or an opening two streets away, without anyone glancing at a watch. | Enquire |
| 22:00 | Three hoursThe second act | £1,500 | Supper somewhere small, then the remainder of the evening at a pace you set together. | Enquire |
| 20:00 | Four hoursThe table for two | £1,800 | Shaped around a single good table, from the first course to the last car home. | Enquire |
| 00:00 | Ten hoursUntil morning | £3,000 | From the first glass of the evening to breakfast in the suite. Ask a day ahead where you can. | Enquire |
| Fri | Two nights or moreThe weekend away | from £6,000 | In London or further afield, with one figure for the whole stay once the dates are fixed. | Enquire |
Past Zone 2, airports and changes of plan: Rates
Tiffany, after dark
Tiffany's evenings are full of small delights. She meets you at seven with a camera in her bag, in a bar chosen for its lighting, and she has already noticed the three most interesting people in the room. Champagne first, described with surprising precision, then dinner somewhere with good design and better food. She talks about the photograph she took this morning, a greengrocer building a perfect pyramid of lemons, the hotel in Copenhagen with the loveliest stairwell she knows, the champagne house she hopes to visit in spring. She will not, however, let you see the photographs until they are developed. She is playful and graceful and never loud. By the end of the evening you see the city a little differently, through her eyes, and like it better.
Tiffany answers
One detail nobody asked for. A handwritten note, a heavy brass key, a lamp placed exactly where you need it. Grand hotels forget those things; small ones remember.
Because I cannot check them afterwards. Film makes me look harder before I press the shutter, and forgive myself more easily when I miss.
Non-vintage for a Tuesday, vintage for a Friday, and both for a Saturday, preferably in that order.
Remarks in the book
The page is still blankNo remarks have been entered for Tiffany yet. When a guest writes something worth keeping, and she agrees, it appears here beneath the guest's first name, with the month set beside it. Nothing on this page is ever composed by the Society.
Entered only after Cressida has read them · signed with a first name and the month only · withdrawn whenever Tiffany asks
A line for Tiffany
Tiffany is already named. Fill in the brackets, send it, and Cressida answers every line in a single reply.
Good evening Cressida. May I book Tiffany for [length] on [date], from [time]? I shall be at [hotel name], and will pass on the room number once you confirm.
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From After Dark Notes
- 5 min readThe corner table: why where you sit outranks what you orderAcross, beside or at the corner: the seat decides the conversation. How to read a dining room, ask for the banquette without fuss and rescue an evening when the table is wrong.
- 5 min readThe second venue: leaving after the main course, on purposeLeave the restaurant after the main course and take pudding and a last glass somewhere with deeper chairs. Where to go in W1, what to order, and how to leave without breaking the spell.
Send word about Tiffany
Mention Tiffany by name and the evening you have in mind. If she is spoken for, Cressida will say so plainly and suggest someone close in spirit.